{"id":439,"date":"2011-03-30T08:30:25","date_gmt":"2011-03-29T22:30:25","guid":{"rendered":"https:\/\/piercepipeorgans.com.au\/?p=439"},"modified":"2020-07-01T13:11:37","modified_gmt":"2020-07-01T03:11:37","slug":"updated-specifications-for-the-brisbane-city-hall-pipe-organ-mainpage","status":"publish","type":"post","link":"https:\/\/piercepipeorgans.com.au\/news\/updated-specifications-for-the-brisbane-city-hall-pipe-organ-mainpage","title":{"rendered":"Updated Specifications for the Brisbane City Hall Pipe Organ"},"content":{"rendered":"\n\n\n\n
\u00a0\u00a0 <\/strong>1927 Brisbane City Hall Willis I\/III 5 manual and Pedals<\/strong><\/td>\n<\/tr>\n
\n\n\n\n\n\n\n\n
Specifications<\/span><\/em><\/strong><\/td>\n<\/tr>\n
Compass of Manuals CC-C, 61 notes
\nCompass of pedals CCC-F, 30 notes\u00a0\u00a0<\/span><\/em><\/p>\n

<\/span><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/strong><\/p>\n

PEDAL ORGAN <\/strong>(Showing borrowing)<\/span><\/p>\n

1\u00a0\u00a0\u00a0 32′\u00a0\u00a0\u00a0 \u00a0Double Open Bass\u00a0 (A)<\/span><\/p>\n

2\u00a0\u00a0\u00a0 32′\u00a0\u00a0\u00a0 \u00a0Contra Violone\u00a0\u00a0\u00a0 (B)<\/span><\/p>\n

3\u00a0\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Open Bass\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (A)\u00a0 <\/span><\/p>\n

4\u00a0\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Contra Bass\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (C)<\/span><\/p>\n

5\u00a0\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Open Diapason\u00a0\u00a0\u00a0\u00a0 (D)<\/span><\/p>\n

6\u00a0\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Violone\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (B)<\/span><\/p>\n

7\u00a0\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Bourdon\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (E)<\/span><\/p>\n

8\u00a0\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Viole\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (from Orchestral Violon)<\/span><\/p>\n

9\u00a0\u00a0\u00a0 16\u2019\u00a0\u00a0\u00a0 \u00a0Echo Bass \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0(From Choir)<\/span><\/p>\n

10\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Octave\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (A)<\/span><\/p>\n

11\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Principal\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (D)<\/span><\/p>\n

12\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Violon Cello\u00a0\u00a0\u00a0\u00a0\u00a0 (C)<\/span><\/p>\n

13\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Flute\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (E)<\/span><\/p>\n

14\u00a0\u00a0\u00a0 4′\u00a0\u00a0\u00a0\u00a0 Fifteenth\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (D)<\/span><\/p>\n

15\u00a0\u00a0\u00a0 III\u00a0\u00a0\u00a0 Mixture 10-12-15\u00a0 (G)<\/span><\/p>\n

16\u00a0\u00a0 32′\u00a0\u00a0\u00a0 \u00a0Contra Ophicleide (H) <\/span><\/p>\n

17\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Ophicleide\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (H)<\/span><\/p>\n

18\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Cor Anglais\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (from Orchestral)<\/span><\/p>\n

19\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Clarion\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (On slider soundboard <\/span><\/p>\n

20\u00a0\u00a0\u00a0 4′\u00a0\u00a0\u00a0\u00a0 Octave Clarion\u00a0\u00a0\u00a0\u00a0 with 4\u2019 Oct Clarion)<\/span>
\n\u00a0 <\/span><\/p>\n

\u00a0<\/span>GREAT ORGAN\u00a0 <\/strong><\/span><\/p>\n

\u00a0<\/span>21\u00a0\u00a0\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Double Open Diapason\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (separate action Bottom Octave)<\/span><\/p>\n

22\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Open Diapason No 1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

23\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Open Diapason No 2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

24\u00a0\u00a0\u00a0\u00a0\u00a0 8\u2019\u00a0\u00a0\u00a0\u00a0 Open Diapason No 3\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

25\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Claribel Flute\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

26\u00a0\u00a0\u00a0\u00a0\u00a0 4′\u00a0\u00a0\u00a0\u00a0 Principal\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

27\u00a0\u00a0\u00a0\u00a0\u00a0 4′\u00a0\u00a0\u00a0\u00a0 Flute Harmonique\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

28\u00a0\u00a0\u00a0\u00a0 2 2\/3′ \u00a0Twelfth\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

29\u00a0\u00a0\u00a0\u00a0\u00a0 2′\u00a0\u00a0\u00a0\u00a0 Fifteenth\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

30\u00a0\u00a0\u00a0\u00a0 III\u00a0\u00a0\u00a0 \u00a0Sesquialtera 17-19-22\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

31\u00a0\u00a0\u00a0\u00a0\u00a0 IV\u00a0\u00a0\u00a0\u00a0 Fourniture 19-22-26-29\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

32\u00a0\u00a0\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Trombone\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

33\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Trumpet\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

34\u00a0\u00a0\u00a0\u00a0\u00a0 4′\u00a0\u00a0\u00a0\u00a0 Clarion\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

\u00a0<\/span>\u00a0<\/span><\/strong>CHOIR ORGAN\u00a0\u00a0 <\/strong><\/span><\/p>\n

\u00a0<\/span>35\u00a0\u00a0\u00a0\u00a0 16\u2019\u00a0\u00a0\u00a0 \u00a0Rohr Flute\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

36\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Viola da Gamba\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

37\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Lieblich Gedackt\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

38\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Dulciana\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

39\u00a0\u00a0\u00a0\u00a0\u00a0 4′\u00a0\u00a0\u00a0\u00a0 Flute d’Amour\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

40\u00a0\u00a0\u00a0\u00a0\u00a0 2′\u00a0\u00a0\u00a0\u00a0 Harmonic Piccolo\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

41\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Corno di Bassetto\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

42\u00a0\u00a0\u00a0\u00a0\u00a0 8\u2019\u00a0\u00a0\u00a0\u00a0 Tuba\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (from Solo 16\u2019 Tuba)
\n43\u00a0\u00a0\u00a0\u00a0 Tremolo<\/span><\/p>\n

\u00a0<\/span>SOLO ORGAN<\/strong> <\/span><\/p>\n

44\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Flute Harmonique\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

45\u00a0\u00a0\u00a0\u00a0 4′\u00a0\u00a0\u00a0\u00a0 Concert Flute\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

46\u00a0\u00a0\u00a0 16′\u00a0\u00a0 \u00a0\u00a0Double Clarinet\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

47\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Orchestral Oboe\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

48\u00a0\u00a0\u00a0 Tremolo<\/span><\/p>\n

(Unenclosed)<\/span><\/p>\n

49\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Diapason Stentor\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

50\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Cathedral Chimes\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

51\u00a0\u00a0\u00a0\u00a0 16′\u00a0\u00a0 \u00a0\u00a0Contra Tuba\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Also Choir 8\u201d Tuba)<\/span><\/p>\n

52\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Tuba\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

53\u00a0\u00a0\u00a0\u00a0\u00a0 4′\u00a0\u00a0\u00a0\u00a0 Tuba Clarion\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/strong>ORCHESTRAL ORGAN\u00a0\u00a0\u00a0 <\/strong>(2 Pitman Chests)<\/span><\/p>\n

54\u00a0\u00a0\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Violon\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

55\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Violoncello\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

56\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Cello Celestes\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

57\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Orchestral Flute\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

58\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Tibia Clausa\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

59\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Sylvestrina\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

60\u00a0\u00a0\u00a0\u00a0 4′\u00a0\u00a0\u00a0\u00a0 Viola\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

61\u00a0\u00a0\u00a0\u00a0 4′\u00a0\u00a0\u00a0\u00a0 Flute Ouverte\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

62\u00a0\u00a0\u00a0 2 2\/3′ \u00a0Nazard\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

63\u00a0\u00a0\u00a0\u00a0 2′\u00a0\u00a0\u00a0\u00a0 Piccolo\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

64\u00a0\u00a0\u00a0 1 3\/5′ \u00a0Tierce\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

65\u00a0\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Cor Anglais\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

66\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Clarinet\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

67\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 French Horn\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

68\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Orchestral Trumpet\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

69\u00a0\u00a0\u00a0 Tremolo<\/span><\/p>\n

\u00a0<\/span>SWELL ORGAN\u00a0\u00a0<\/strong><\/span>\u00a0<\/span><\/p>\n

70\u00a0\u00a0\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Lieblich Bourdon\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

71\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Geigen Diapason\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

72\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Lieblich Gedackt\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

73\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Salicional\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

74\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Vox Angelica\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

75\u00a0\u00a0\u00a0\u00a0\u00a0 4′\u00a0\u00a0\u00a0\u00a0 Gemshorn\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

76\u00a0\u00a0\u00a0\u00a0\u00a0 4′\u00a0\u00a0\u00a0\u00a0 Lieblich Flute\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

77\u00a0\u00a0\u00a0\u00a0\u00a0 2′\u00a0\u00a0\u00a0\u00a0 Flageolet\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

78\u00a0\u00a0\u00a0\u00a0 III\u00a0\u00a0 \u00a0\u00a0Mixture 17-19-22\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>\u00a0\u00a0 <\/span><\/p>\n

79\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Hautboy\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

80\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Vox Humana\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

81\u00a0\u00a0\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Double Trumpet\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n

82\u00a0\u00a0\u00a0\u00a0\u00a0 8′\u00a0\u00a0\u00a0\u00a0 Cornopean\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

83\u00a0\u00a0\u00a0\u00a0\u00a0 4′\u00a0\u00a0\u00a0\u00a0 Clarion\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

84\u00a0\u00a0\u00a0\u00a0 Tremolo<\/span><\/p>\n

85\u00a0\u00a0\u00a0\u00a0 Lever Pedal on<\/span><\/p>\n

\u00a0<\/span>COUPLERS\u00a0\u00a0\u00a0 <\/strong><\/span><\/p>\n

86\u00a0\u00a0\u00a0\u00a0 Choir to Pedal<\/span><\/p>\n

87\u00a0\u00a0\u00a0\u00a0 Great to Pedal<\/span><\/p>\n

88\u00a0\u00a0\u00a0\u00a0 Swell to Pedal<\/span><\/p>\n

89\u00a0\u00a0\u00a0\u00a0 Orchestral to Pedal<\/span><\/p>\n

90\u00a0\u00a0\u00a0\u00a0 Solo to Pedal<\/span><\/p>\n

91\u00a0\u00a0\u00a0\u00a0 Choir to Pedal 4′<\/span><\/p>\n

92\u00a0\u00a0\u00a0\u00a0 Swell to Pedal 4′<\/span><\/p>\n

93\u00a0\u00a0\u00a0\u00a0 Orchestral to Pedal 4′<\/span><\/p>\n

94\u00a0\u00a0\u00a0\u00a0 Solo to Pedal 4\u2019<\/span><\/p>\n

95\u00a0\u00a0\u00a0\u00a0 Swell to Great Sub Octave 16<\/span><\/p>\n

96\u00a0\u00a0\u00a0\u00a0 Swell to Great<\/span><\/p>\n

97\u00a0\u00a0\u00a0\u00a0 Swell to Great Octave 4<\/span><\/p>\n

98\u00a0\u00a0\u00a0\u00a0 Choir to Great<\/span><\/p>\n

99\u00a0\u00a0\u00a0\u00a0 Orchestral to Great<\/span><\/p>\n

100\u00a0\u00a0\u00a0 Solo to Great<\/span><\/p>\n

101\u00a0\u00a0\u00a0 Swell Sub Octave<\/span><\/p>\n

102\u00a0\u00a0\u00a0 Swell Octave 4 <\/span><\/p>\n

103\u00a0\u00a0\u00a0 Swell Unison Off<\/span><\/p>\n

104\u00a0\u00a0\u00a0 Orchestral to Swell<\/span><\/p>\n

105\u00a0\u00a0\u00a0 Choir Sub Octave<\/span><\/p>\n

106\u00a0\u00a0\u00a0 Choir Octave<\/span><\/p>\n

107\u00a0\u00a0\u00a0 Choir Unison Off<\/span><\/p>\n

108\u00a0\u00a0\u00a0 Swell to Choir<\/span><\/p>\n

109\u00a0\u00a0\u00a0 Orchestral to Choir<\/span><\/p>\n

110\u00a0\u00a0\u00a0 Solo to Choir<\/span><\/p>\n

\u00a0<\/span><\/p>\n

111\u00a0\u00a0\u00a0 Orchestral Sub Octave 16<\/span><\/p>\n

112\u00a0\u00a0\u00a0 Orchestral Octave 4<\/span><\/p>\n

113\u00a0\u00a0\u00a0 Orchestral Unison Off<\/span><\/p>\n

114\u00a0\u00a0\u00a0 Solo to Orchestral<\/span><\/p>\n

115\u00a0\u00a0\u00a0 Solo Sub Octave 16<\/span><\/p>\n

116\u00a0\u00a0\u00a0 Solo Octave 4<\/span><\/p>\n

117\u00a0\u00a0\u00a0 Solo Unison Off<\/span><\/p>\n

118\u00a0\u00a0\u00a0 Great and Pedal Combinations coupled<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0<\/span><\/td>\n

\u00a0<\/td>\n<\/tr>\n
\u00a0\u00a0 <\/strong><\/td>\n<\/tr>\n
5 Thumb Pistons to Solo Organ
\n7 Thumb Pistons to Orchestral Organ
\n7 Thumb Pistons to Swell Organ
\n7 Thumb Pistons to Great Organ
\n5 Thumb Pistons to Choir Organ10 Thumb Pistons General
\n7 Toe Pistons to Pedal Organ
\n7 Toe Pistons to Swell Organ (duplicating)1 Reversible Toe Piston \u2019Full Organ (Blind)<\/p>\n

1 Reversible Toe Piston\u00a0 Great to Pedal (duplicating)
\n1 Reversible Thumb Piston Solo to Choir<\/p>\n

1 Reversible Thumb Piston Solo to Pedal
\n1 Reversible Thumb Piston Solo to Orchestral
\n1 Reversible Thumb Piston Solo to Great
\n1 Reversible Thumb Piston Choir to Great
\n1 Reversible Thumb Piston Choir to Pedal
\n1 Reversible Thumb Piston Swell to Choir
\n1 Reversible Thumb Piston Swell to Great
\n1 Reversible Thumb Piston Swell to Pedal
\n1 Reversible Thumb Piston Great to Pedal (duplicating)
\n1 Reversible Thumb Piston Orchestral to Swell<\/td>\n

\u00a0<\/td>\n<\/tr>\n
1 Reversible Thumb Piston Orchestral to Great
\n1 Reversible Thumb Piston Orchestral to Choir
\n1 Reversible Thumb Piston Orchestral to Pedal1 General Cancel thumb piston
\n1 Thumb Piston for “Set”1 General Crescendo Pedal (Blind)
\nSwell Expression Pedal
\nChoir Expression Pedal
\nSolo Expression Pedal
\nOrchestral Expression Pedal
\n1 lever pedal (kick-down)
\nSwell Pedal selection switches
\n\u00a0<\/td>\n		\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

\u00a0\u00a0 1927 Brisbane City Hall Willis I\/III 5 manual and Pedals Specifications Compass of Manuals CC-C, 61 notes Compass of pedals CCC-F, 30 notes\u00a0\u00a0 \u00a0 PEDAL ORGAN (Showing borrowing) 1\u00a0\u00a0\u00a0 32′\u00a0\u00a0\u00a0 \u00a0Double Open Bass\u00a0 (A) 2\u00a0\u00a0\u00a0 32′\u00a0\u00a0\u00a0 \u00a0Contra Violone\u00a0\u00a0\u00a0 (B) 3\u00a0\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Open Bass\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (A)\u00a0 4\u00a0\u00a0\u00a0 16′\u00a0\u00a0\u00a0 \u00a0Contra Bass\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (C) [\u2026]<\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"_links":{"self":[{"href":"https:\/\/piercepipeorgans.com.au\/wp-json\/wp\/v2\/posts\/439"}],"collection":[{"href":"https:\/\/piercepipeorgans.com.au\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/piercepipeorgans.com.au\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/piercepipeorgans.com.au\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/piercepipeorgans.com.au\/wp-json\/wp\/v2\/comments?post=439"}],"version-history":[{"count":6,"href":"https:\/\/piercepipeorgans.com.au\/wp-json\/wp\/v2\/posts\/439\/revisions"}],"predecessor-version":[{"id":820,"href":"https:\/\/piercepipeorgans.com.au\/wp-json\/wp\/v2\/posts\/439\/revisions\/820"}],"wp:attachment":[{"href":"https:\/\/piercepipeorgans.com.au\/wp-json\/wp\/v2\/media?parent=439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/piercepipeorgans.com.au\/wp-json\/wp\/v2\/categories?post=439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/piercepipeorgans.com.au\/wp-json\/wp\/v2\/tags?post=439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}